Mateo Revillo (Spain, 1993) lives and works in Paris. His practice moves between painting, sculpture, and architectural intervention, and is grounded in an investigation of latent structures—forms assembled and held in suspension, where material, time, and spatial logic remain active.

Revillo works primarily with elemental materials such as lime, plaster, and pigment. These materials are engaged through a process-based approach in which surfaces accumulate, shift, and retain duration. The works appear as open configurations—fragments, planes, and volumes that register time as a physical condition. What becomes visible is a threshold where form remains provisional.

Each work is shaped by a tension between structure and fracture, construction and erosion. This tension extends to colour, which operates as a structural agent. Colour generates density, temperature, and vibration, anchoring the work in material time. It is revealed through process, attaching itself to layers, folds, and resistances embedded in the surface.