Daniel Brusatin (Bogotá, 1989) works fluidly across painting, sculpture, glass, ceramics, and architecture, each material and process serving a meticulous inquiry into form and memory. His practice begins with an attentive listening to matter—charred wood, tinted glass, glazed ceramic, pigment laid as a veil. In his hands, objects take on the presence of breathing organisms, their surfaces becoming sites where light and substance enter into a quiet, resonant dialogue.

Each work carries the echo of a larger whole, a fragment of an unseen architecture or a landscape only partially revealed. Studies in Italy and formative experience in London alongside Brian Clarke refined his mastery of stained glass and complex artisanal processes, yet his language extends beyond craft: every gesture reads as a meditation on erosion, resilience, and permanence.

In recent series, Brusatin articulates a poetics of tension: creation and destruction, the artisanal and the industrial, the intimate and the monumental. His works act as thresholds—spaces where viewers encounter the weight of time and the vibrancy of material.